Posted By Matt Ryan On November 11, 2010 @ 4:18 pm In Media | 229 Comments
Infowars.com -November 11, 2010
Below are three paintings prominently featured in the Bank of America Corporate Center in Charlotte, NC along with interpretations sent to us by a listener. This fresco was created by artist Benjamin F. Long.
Benjamin F. Long’s first secular fresco, and his largest work to date, consists of three panels composed for the dedication of the Bank of America Corporate Center dominating the lobby as no other artwork could, the panels present the themes of making/building, chaos/creativity, and planning/knowledge in an daring blend of abstract and realism, set off with touches of gold.
This is the first of three in the order of timing of events. You see the classic Masonic checkered floor as part of the landscape that they control. You see the classic blond-haired, blue-eyed Arian “youth” in the classic Masonic heel-to-heel 90 degree stance. Take note to the burning bush blowing dead West. I see this as the Western World being burned and this is the current state of the dismantling affairs of the U.S. while Americans (in general) go unaware. I see this because of the white man right next to the burning bush and he is wearing a red sweater and blue jeans. Red, white and blue. He represents the majority of unaware Americans and remains distracted via the book he is reading while the bush (which again represents the Western World) is burning to the ground right next to him. Now, take a look at the female puppet on strings being controlled. Could this mean that the next President will be a woman? Most important is the group of characters at the bottom-left. This clearly shows a colonial forefather arguing with modern day “suits”. This is highly suggestive of constitutionalists arguing with the “New World” unfolding. Notice they are pointing to the Masonic Arian as the subject at hand? This suggests the Tea Party Movement and the fight against the coming-out of World Government. This is (now) in the first of these three key time eras.
No comments:
Post a Comment